۱۳۸۸ مهر ۲۸, سه‌شنبه

Goodfellas

Goodfellas (also styled GoodFellas) is a 1990 semi-fictional crime drama film directed by Martin Scorsese. It is based on the non-fiction book Wiseguy by Nicholas Pileggi, who also co-wrote the screenplay for the film with Scorsese. The film follows the rise and fall of three gangsters, spanning three decades.



Scorsese originally intended to direct Goodfellas before The Last Temptation of Christ but, when funds materialized to make Last Temptation, he postponed what was then known as Wise Guy. The title of Pileggi's book had already been used for a TV series and for Brian De Palma's 1986 comedy Wise Guys, so Pileggi and Scorsese changed the name of their film to Goodfellas. To prepare for their roles in the film, Robert De Niro, Joe Pesci, and Ray Liotta talked often with Pileggi, who shared with the actors research material that had been left over from writing the book. According to Pesci, improvisation and ad-libbing came out of rehearsals where Scorsese gave the actors freedom to do whatever they wanted. The director made transcripts of these sessions, took the lines that the actors came up with that he liked best, and put them into a revised script the cast worked from during principal photography.


Goodfellas performed well at the box office, grossing $46.8 million domestically, well above its $25 million budget; it received overwhelmingly positive reviews from critics. The film was nominated for six Academy Awards but only won one for Pesci in the Best Actor in a Supporting Role category. Scorsese's film won five awards from the British Academy of Film and Television Arts and was named best film of the year by the New York Film Critics Circle, the Los Angeles Film Critics Association, and the National Society of Film Critics. Goodfellas is often considered one of the greatest films ever, both in the genre of crime and in general and was deemed "culturally significant" and selected for preservation in the National Film Registry by the United States Library of Congress.
The film employs around 300 uses of the word "fuck" , ninth most in film.






Plot


In the opening scene, the Irish-Italian protagonist Henry Hill (Ray Liotta) admits, "As far back as I can remember, I always wanted to be a gangster," referring to his idolizing the Lucchese crime family gangsters in his blue-collar, predominantly Italian neighborhood in East New York, Brooklyn in 1955. Feeling the connection of being a part of something, Henry quits school and goes to work for them. His Irish father, knowing the true nature of the Mafia, tries to stop Henry after learning of his truancy, but the gangsters ensure that his parents no longer hear from the school by threatening the local postal carrier with dire consequences should he deliver any more letters from the school to Henry's house. Henry is able to make a smooth living for himself, also learning the two most important lessons in life: "Never rat on your friends, and always keep your mouth shut," which is said to him after young Henry remains silent after a court hearing. This establishes the tone for the rest of the film.



Henry is soon taken under the wing of the local mob captain, Paul "Paulie" Cicero (Paul Sorvino, based on the actual Lucchese mobster Paul Vario) and Cicero's close Irish associate Jimmy "The Gent" Conway (Robert De Niro, based on Jimmy Burke). They help to cultivate Henry's criminal career, and introduce Henry to the entire network of Paulie’s crime syndicate. Henry and his friends soon become successful, daring, and dangerous. Jimmy loves hijacking trucks, and Tommy DeVito (Joe Pesci, based on Tommy DeSimone) is an aggressive psychopath with a hair-trigger temper. In late 1967, Henry commits the Air France Robbery and it marks his debut into the big time of organized crime. Enjoying the perks of their criminal activities, the friends spend most of their nights at the Copacabana night club with countless women. Around this time, Henry meets and later marries a no-nonsense Jewish girl from the Five Towns named Karen (Lorraine Bracco). Karen at first is troubled by Henry's criminal activities, but when a neighbour assaults her for refusing his advances, Henry pistol-whips him in front of her, displaying all of the viciousness and confidence of proven gangsters. She feels vindicated, intrigued, and aroused by the act, especially when Henry leaves her the gun he used on her neighbor.


On June 11, 1970, Tommy (with Jimmy's help) brutally beats Billy Batts (Frank Vincent), a prominent mobster of the Gambino crime family, for insulting him about being a shoeshine boy in his younger days. However, Batts was a made man, meaning that he could not be touched without the consent of his Gambino family bosses. Realizing that this was an offense that could get all of them killed, Jimmy, Henry, and Tommy place the bloodied Batts in the trunk of Henry's car with the intent of burying him upstate, then drive to Tommy's mother's house to retrieve the tools needed to do so. They manage to bury Batts in the intended area, but six months later Jimmy learns that the burial spot will be the site of a new property development. Thus, they are forced to exhume Batts' half-decomposed corpse and move it to another location.


Henry begins to see a mistress named Janice Rossi (Gina Mastrogiacomo). When Karen finds out, she threatens to kill the both of them with a revolver pointed at his face, demanding to know if he really truly loves her. However, she cannot bring herself to kill him and an enraged Henry states he has other things to worry about such as getting killed on the street. Soon, it gets harder for Henry to evade the law. Paulie sends him and Jimmy to collect from an indebted Florida gambler in Tampa, and they hang him in the lion's den at a public zoo to intimidate him further after a bloodthirsty beating fails to sway the man. Henry, Jimmy, the gambler, and most of the crew (except for Tommy) are then arrested thanks to the gambler's sister, who is a typist for the FBI. In prison, Henry sells drugs to support his family on the outside. Soon after he is released in 1978, the crew commits the infamous Lufthansa heist at John F. Kennedy International Airport. In the meantime, Henry further establishes himself in the drug trade after seeing its high potential for profit, and convinces Tommy and Jimmy to join him. Things start to turn sour when the crew members ignore the advice of Jimmy not to buy expensive things from their share of the stolen money, and in return Jimmy has them killed one by one as various bodies are discovered across the city, (in a montage set famously to Layla). Things are further complicated as Tommy is killed by two Gambino capos for his part in Billy Batts' murder (among other things), after being fooled in thinking that he is going to be made. The family he was joining had to hedge in order to avoid a war.


The year is now 1980. Henry is on the cusp of making a big deal with his associates in Pittsburgh. A nervous wreck from his cocaine usage and lack of sleep, he runs around trying his best to get things organized. However, this does not stop him from being caught by narcotics agents and sent to jail. When he returns home, Karen tells him that she has flushed what amounted to $60,000 worth of cocaine down the toilet to prevent the FBI agents from finding it during their raid. As a result, Henry and his family are left virtually penniless. Paulie feels his loyalty to Henry has been betrayed and decides to give him $3200 in exchange for having nothing to do with him ever again. Henry turns down a hit with Anthony in Florida from Jimmy when he realizes he would be killed. He then decides to enroll in the Witness Protection Program as a mole for the FBI to protect himself and his family. Finally letting go of his gangster connections, he now has to face the prospect of living in the real world, the one thing he has always tried to run away from, stating, "I'm an average nobody. I get to live the rest of my life like a schnook." He longs for the life when he was a gangster and was in action.


The film ends with title cards explaining that Henry has been clean since 1987; Paul Cicero died in Fort Worth Prison of respiratory illness in 1988 at 73; and Jimmy is serving a 20-year-to-life sentence in a New York State prison, not being eligible for parole until 2004 (although he died of lung cancer in 1996).








Development


Goodfellas is based on New York crime reporter Nicholas Pileggi's book Wiseguy. Martin Scorsese never intended to make another mob film until he read a review of the book and this inspired him to read it while working on the set of Color of Money in 1986.He had always been fascinated by the Mob lifestyle and was drawn to Pileggi's book because it was the most honest portrayal of gangsters he had ever read.After he read Pileggi's book, the filmmaker knew what approach he wanted to take: "To begin Goodfellas like a gunshot and have it get faster from there, almost like a two-and-a-half-hour trailer. I think it's the only way you can really sense the exhilaration of the lifestyle, and to get a sense of why a lot of people are attracted to it."According to Pileggi, Scorsese cold-called the writer and told him, "I've been waiting for this book my entire life." To which Pileggi replied "I've been waiting for this phone call my entire life".

Scorsese originally intended to direct the film before The Last Temptation of Christ, but when funds materialized to make Last Temptation, he decided to postpone Wise Guy. He was drawn to the documentary aspects of Pileggi's book. "The book Wise Guys gives you a sense of the day-to-day life, the tedium - how they work, how they take over certain nightclubs, and for what reasons. It shows how it's done".He saw Goodfellas as the third film in an unplanned trilogy of films that examined the lives of Italian-Americans "from slightly different angles".He has often described the film as "a mob home movie" that is about money because "that's what they're really in business for".


Screenplay

Scorsese and Pileggi collaborated on the screenplay and over the course of the 12 drafts it took to reach the ideal script, the reporter realized that "the visual styling had to be completely redone… So we decided to share credit".They decided which sections of the book they liked and put them together like building blocks.Scorsese persuaded Pileggi that they did not need to follow a traditional narrative structure. The director wanted to take the gangster film and deal with it episode by episode but start in the middle and move backwards and forwards. Scorsese would compact scenes and realized that if they were kept short, "the impact after about an hour and a half would be terrific".He wanted to do the voiceover like the opening of Jules and Jim and use "all the basic tricks of the New Wave from around 1961".Several of the names of the characters were also changed such as Tommy "Two Gunn" DeSimone becoming Tommy DeVito; Paul Vario becoming Paulie Cicero and Jimmy "The Gent" Burke becoming Jimmy Conway.[9] Since the title of Pileggi's book had already been used for a TV series and for Brian De Palma's 1986 comedy Wise Guys, Pileggi and Scorsese decided to change the name of their film to Goodfellas.







Casting


Once Robert De Niro agreed to play Conway, Scorsese was able to secure the money needed to make the film.The director cast Ray Liotta after De Niro saw him in Jonathan Demme's Something Wild and Scorsese was surprised by "his explosive energy" in that film.The actor had read Pileggi's book when it came out and was fascinated by it. A couple of years afterwards, his agent told him that Scorsese was going to direct a film version. In 1988, Liotta met the director over a period of a couple of months and auditioned for the film.[5] The actor campaigned aggressively for a role in the film but the studio wanted a well-known actor. "I think they would've rather had Eddie Murphy than me", the actor remembers.

To prepare for the role, De Niro consulted with Pileggi who had research material that had been discarded while writing the book.De Niro often called Hill several times a day to ask how Burke walked, held his cigarette, and so on.Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart.To research her role, Lorraine Bracco tried to get close to a mob wife but was unable to because they exist in a very tight-knit community. She decided not to meet the real Karen because she "thought it would be better if the creation came from me. I used her life with her parents as an emotional guideline for the role".Paul Sorvino had no problem finding the voice and walk of his character but found it challenging finding "that kernel of coldness and absolute hardness that is antithetical to my nature except when my family is threatened".

Distribution


Goodfellas had its world premiere at the 1990 Venice Film Festival where Scorsese received the Silver Lion award for Best Director.It was given a wide release in North America on September 21, 1990 in 1,070 theaters with an opening weekend gross of US$6.3 million. It went on to make $46.8 million domestically, well above its $25 million budget.


Reviews

The film received very positive reviews from critics and currently has a 96% rating at Rotten Tomatoes and a 89 metascore at Metacritic. In his review for The New York Times, Vincent Canby wrote, "More than any earlier Scorsese film, Goodfellas is memorable for the ensemble nature of the performances… The movie has been beautifully cast from the leading roles to the bits. There is flash also in some of Mr. Scorsese's directorial choices, including freeze frames, fast-cutting and the occasional long tracking shot. None of it is superfluous".USA Today gave the film four out of four stars and called it, "great cinema — and also a whopping good time".David Ansen, in his review for Newsweek magazine, wrote "Every crisp minute of this long, teeming movie vibrates with outlaw energy".In his review for Time, Richard Corliss wrote, "So it is Scorsese's triumph that GoodFellas offers the fastest, sharpest 2 1/2-hr. ride in recent film history".However, Anthony Lane in the The Independent wrote, "There is a short, needling comedy of violence and cowardice somewhere inside this stylish film, and it is worth watching more than once to prise it free. Scorsese himself chickened out, I think; perhaps the Mob got to him after all".William Fugazy, of the National Ethnic Coalition of Organizations, a watchdog group on ethnic injustice, which claims a membership of 10 million and consists of 76 of the largest heritage groups in the United States, called for a boycott of the film and wanted Warner Bros. to ban it. "It's the worst stereotyping, the worst portrayal of the Italian community I've ever seen. Far worse than The Godfather. One killing after another", he said.Scorsese responded to this criticism by saying, "As Nick Pileggi always points out, there are 18 to 20 million Italian-Americans. Out of that, there are only 4,000 alleged organised crime members. But, as Nick says, they cast a very long shadow".
Awards

Goodfellas was nominated for six Academy Awards including Joe Pesci for Best Actor in a Supporting Role, Lorraine Bracco for Best Actress in a Supporting Role, Best Picture, Scorsese for Best Director, Thelma Schoonmaker for Best Film Editing, and Scorsese and Nicholas Pileggi for Best Adapted Screenplay.When Joe Pesci won the Academy Award for Best Supporting Actor (the only Academy Award the film won),his entire speech was "This is an honor and a privilege, thank you".It is on of the shortest Oscar-acceptance speech, after William Holden's, who simply said, "Thank you", upon winning for Stalag 17, and Alfred Hitchcock's ("Thank you" and other unintelligible words) when he received an Honorary Oscar. Later, Pesci admitted that he did not say more, because "I really didn't think I was going to win".


Goodfellas was nominated for five Golden Globes including Best Director, Best Motion Pictures, Best Supporting Actor, Best Supporting Actress, and Best Screenplay.[28] It failed to win any of these awards. Scorsese's film won five awards from the British Academy of Film and Television Arts including Best Film, Best Director, and Best Adapted Screenplay.

The New York Film Critics Circle voted Goodfellas the Best Film of 1990, Robert De Niro was named Best Actor for his performance in the film and in Awakenings, and Scorsese was voted Best Director.The Los Angeles Film Critics Association also voted Scorsese as Best Director, GoodFellas as Best Film,awards for Pesci and Bracco as Best Supporting Actor and Actress, respectively, and Best Cinematography to Michael Ballhaus for his work on the film.The National Board of Review voted Pesci as Best Supporting Actor.The National Society of Film Critics voted Goodfellas Best Film of 1990 and Scorsese as Best Director.American Film magazine declared Goodfellas the best film of 1990 according to a poll of 80 movie critics.















Chinese Coffee

Chinese Coffee (2000) is a play by Ira Lewis which was made into an independent film and released in New York as part of the Tribeca Film Festival, starring Al Pacino and Jerry Orbach. Pacino directed and was introduced by Robert De Niro during the open ceremony.

Shot almost exclusively as a one-on-one conversation between the two main characters, it chronicles friendship, love, loss, and humor of daily life. After years of withholding it, Pacino allowed it to be released on June 19, 2007 as a part of a three-movie boxed set called Pacino: An Actor's Vision.

Plot

When Harry Levine, an aging, unsuccessful Greenwich Village writer is fired from his job as restaurant doorman, he calls on friend and mentor Jake, ostensibly to collect a long-standing debt. Harry solicits his opinion on his latest manuscript, a work of semi-fiction based on their longtime friendship. Although he initially denies having read it, Jake later attacks it on aesthetic grounds, and deep-seated feelings of betrayal and jealousy surface and lead to a traumatic confrontation. Written by Gabe Taverney (duke1029@aol.com

The English Patient

The English Patient is a 1996 film adaptation of the novel of the same name by Michael Ondaatje. The film, directed by Anthony Minghella, won nine Academy Awards, including Best Picture. Ondaatje worked closely with the filmmakers.

[Synopsis
The film is set during World War II and depicts a critically burned man, at first known only as "the English patient", who is being looked after by Hana (Juliette Binoche), a French-Canadian nurse in a ruined Italian villa. The patient is reluctant to disclose any personal information but through a series of flashbacks, viewers are allowed into his past. It is slowly revealed that he is in fact a Hungarian geographer, Count László de Almásy (Ralph Fiennes), who was making a map of the Sahara Desert, and whose affair with a married woman (Kristin Scott Thomas) ultimately brought about his present situation. As the patient remembers more, David Caravaggio (Willem Dafoe), a Canadian thief/intelligence operative, arrives at the monastery. Caravaggio lost his thumbs while being interrogated by officers of the German Afrika Korps, and he gradually reveals that it was the patient's actions that had brought about his torture.

In addition to the patient's story, the film devotes time to Hana and her romance with Kip (Naveen Andrews), an Indian sapper in the British Army. Due to various events in her past, Hana believes that anyone who comes close to her is likely to die, and Kip's position as a bomb defuser makes their romance full of tension.

[Production
In his book The Conversations: Walter Murch and the Art of Editing Film (2002) Michael Ondaatje records his conversations with the film's editor and sound designer Walter Murch, who won two Academy Awards for the film. Murch describes the complexity of editing a film with multiple flashbacks and timeframes; he edited and reedited numerous times and notes that the final film features over 40 time transitions.

The movie was filmed on location in Tunisia and Italy.


Reception

The film garnered widespread critical acclaim and was a major award winner as well as a box office success; its awards included the Academy Award for Best Picture, the Golden Globe Award and the BAFTA Award for Best Film. Juliette Binoche won the Academy Award for Best Supporting Actress, winning out over Lauren Bacall for The Mirror Has Two Faces (it would have been Bacall's only Oscar win, and in her acceptance speech Binoche commented that she had expected Bacall to win). Anthony Minghella took home the Oscar for Best Director. Kristin Scott Thomas and Ralph Fiennes were nominated for Best Actress and Best Actor. In all, The English Patient was nominated for an impressive 12 awards and ultimately walked away with 9. It is the highest-grossing non-IMAX film (and second highest-grossing film overall) to never reach the weekend box office top 5.

The English Patient is one of only two Best Picture winners (Amadeus the other) to never enter the weekend box office top 5 since top 10 rankings were first recorded in 1982.

Chicago Sun Times critic Roger Ebert gave the movie a 4/4 rating, saying "it's the kind of movie you can see twice - first for the questions, the second time for the answers."[5]

Awards and honors

1996 Academy Awards
Won, Best Picture
Won, Best Actress in a Supporting Role: Juliette Binoche
Won, Best Art Direction-Set Decoration (Stuart Craig and Stephanie McMillan)
Won, Best Cinematography (John Seale)
Won, Best Costume Design (Ann Roth)
Won, Best Director (Anthony Minghella)
Won, Best Film Editing (Walter Murch)
Won, Best Original Score (Gabriel Yared)
Won, Best Sound (Walter Murch, Mark Berger, David Parker, and Christopher Newman)
Nominated, Best Actor in a Leading Role: Ralph Fiennes
Nominated, Best Actress in a Leading Role: Kristin Scott Thomas
Nominated, Best Writing, Screenplay Based on Material from Another Medium (Anthony Minghella)
1997 Golden Globes, USA
Won, Best Motion Picture - Drama
Won, Best Original Score - Motion Picture (Gabriel Yared)
Nominated, Best Director - Motion Picture (Anthony Minghella)
Nominated, Best Performance by an Actor in a Motion Picture - Drama: Ralph Fiennes
Nominated, Best Performance by an Actress in a Motion Picture - Drama: Kristin Scott Thomas
Nominated, Best Performance by an Actress in a Supporting Role in a Motion Picture: Juliette Binoche
Nominated, Best Screenplay - Motion Picture (Anthony Minghella)
1997 BAFTA Awards, UK
Won, Best Film
Won, Best Cinematography (John Seale)
Won, Best Editing (Walter Murch)
Won, Best Performance by an Actress in a Supporting Role (Juliette Binoche)
Won, Best Screenplay - Adapted (Anthony Minghella)
Won, Best Music (Gabriel Yared)

The Dark Knight

The Dark Knight

The Dark Knight is a 2008 superhero crime thriller film directed and co-written by Christopher Nolan. Based on the DC Comics character Batman, the film is part of Nolan's Batman film series and a sequel to 2005's Batman Begins. Christian Bale reprises the lead role. The film follows Bruce Wayne/Batman (Bale), District Attorney Harvey Dent/Two-Face (Aaron Eckhart), Assistant D.A. Rachel Dawes (Maggie Gyllenhaal), and Police Commissioner James Gordon (Gary Oldman) and their struggles and journey in combating the new rising threat of a criminal who goes by the name of the "Joker" (Heath Ledger).


Nolan's inspiration for the film was the Joker's comic book debut in 1940, and the 1996 series The Long Halloween, which retold Two-Face's origin. The Dark Knight was filmed primarily in Chicago, as well as in several other locations in the United States, the United Kingdom, and Hong Kong. Nolan used an IMAX camera to film some sequences, including the Joker's first appearance in the film. On January 22, 2008, after he had completed filming The Dark Knight, Heath Ledger died from a toxic combination of prescription drugs, leading to intense attention from the press and moviegoing public. Warner Bros. had initially created a viral marketing campaign for The Dark Knight, developing promotional websites and trailers highlighting screen shots of Ledger as the Joker, but after Ledger's death, the studio refocused its promotional campaign.

The film was released on July 16, 2008 in Australia, on July 18, 2008 in North America, and on July 24, 2008 in the United Kingdom. Before its box office debut in North America, record numbers of advance tickets were sold for The Dark Knight. It was greeted with positive reviews upon release,and became only the second film to earn more than $500 million at the North American box office, setting numerous other records in the process. It is also the fourth highest grossing film worldwide, and only the fourth film to earn more than $1 billion, worldwide.The film received numerous awards nominations and two Academy Awards for Best Sound Editing and Best Supporting Actor for Ledger's performance.


The Joker (Heath Ledger)


The Joker (Heath Ledger)

Plot

In Gotham City, the Joker robs a mob bank with his accomplices, whom he tricks into killing one another, ultimately killing the last one himself. While investigating the robbery, Batman and Lieutenant James Gordon contemplate including new district attorney Harvey Dent in their plan to eradicate the mob. However, Batman wonders if Dent can be trusted. Wayne runs into Rachel Dawes and Dent, who are dating, and after talking to Dent, he realizes Dent's sincerity and decides to host a fundraiser for him. Mob bosses Sal Maroni, Gambol, and the Chechen meet with other underworld gangsters to discuss both Batman and Dent, who have been cracking down on the mobster's operations. Lau, a Chinese mafia accountant, informs them that he has hidden their money and fled to Hong Kong in an attempt to preempt Gordon's plan to seize the mobsters' funds and hide from Dent's jurisdiction. The Joker appears and offers to kill Batman for half of the mafia's money, but they flatly refuse and Gambol places a bounty on the Joker's head. Not long after, the Joker kills Gambol and takes control of his men.

In Hong Kong, Batman captures Lau using a skyhook, and delivers him to the Gotham City police, where Lau agrees to testify against the mob. Dent and Gordon arrest the mob, and in retaliation the Joker issues an ultimatum to Gotham: people will die each day until Batman reveals his identity. When Commissioner Gillian B. Loeb and the judge presiding over the mob trials are killed, the public readily blames Batman, prompting Wayne to decide to reveal his identity. Before Bruce can turn himself in, Dent holds a press conference to try and persuade the public not to sell Batman out just because of one terrorist. However the public, though grateful for everything Batman has done for the city, insists that things have now reached a point where Batman must make the sacrifice, so Dent announces that he himself is Batman and is arrested as part of a plan to draw the Joker out of hiding. The Joker attempts to ambush the police convoy carrying Dent, but Batman and Gordon intervene and capture him. In recognition of his actions, Gordon is appointed the new police commissioner.

Later that night, Dent and Dawes disappear. At the police station, Batman interrogates the Joker, who reveals that Dent and Dawes' police escorts were corrupt police and have placed them in warehouses rigged with explosives on opposite sides of the city—far enough apart so that Batman cannot save them both. Batman leaves to save Dawes, while Gordon and the police head after Dent. With the aid of a smuggled bomb, the Joker escapes police custody with Lau. Batman arrives, but finds Dent instead of Dawes. Batman successfully saves Dent, but the ensuing explosion disfigures Dent's face. Gordon arrives at Dawes' location too late, and she perishes when the bomb detonates. Unable to cope with this new level of chaos, Maroni goes to Gordon and offers him the Joker's location. Aboard a cargo ship, the Joker burns Lau to death atop a pile of half the mob's money, and has the Chechen killed before taking control of his men.

Meanwhile, an accountant at Wayne Enterprises, Coleman Reese, finds out Batman's identity and after failing to blackmail the company, decides to go public. However, realizing that he does what he does only because of Batman, the Joker changes his mind about revealing Batman's identity and issues a public ultimatum: either Reese is killed within the hour, or he will blow up a hospital. When attempts on Reese's life are foiled, the Joker goes to the evacuated hospital, disguised as a nurse, and frees Dent from his restraints, convincing him to exact revenge on the people whose corruption led to Dawes' death. Dent begins by flipping a coin to decide if he should kill the Joker, and spares him. The Joker destroys the hospital on his way out, and then escapes with a hijacked bus full of hospital patients.

Out of the hospital, Dent goes on a personal vendetta, confronting Maroni and the corrupt cops one by one and flipping his coin to decide their fates. Now with complete control over the Gotham mob, the Joker announces to the public that anyone left in Gotham at nightfall will be subject to his rule. With the bridges and tunnels out of the city closed due to a warning by the Joker, authorities begin evacuating people by ferry. The Joker has explosives placed on two of the ferries—one ferry with convicts, who were evacuated in an effort to keep the Joker from freeing them, and the other with civilians—telling the passengers the only way to save themselves is to trigger the explosives on the other ferry; otherwise, he will destroy both at midnight. Batman locates the Joker and the hostages he has taken. Realizing the Joker has disguised the hostages as his own men, Batman is forced to attack both Gordon's SWAT team and the Joker's henchmen to save the real hostages.

The Joker's plan to destroy the ferries fails after the passengers on both decide not to destroy each other. Batman finds the Joker, and after a brief fight, is able to subdue him, preventing him from destroying both ferries. When Batman refuses to kill the Joker, the Joker acknowledges that Batman is truly incorruptible, but that Dent was not, and that he has unleashed Dent upon the city. Leaving the Joker for the SWAT team, Batman searches for Dent. At the remains of the building where Dawes died, Batman finds Dent holding Gordon and his family at gunpoint. Dent judges the innocence of Batman, himself, and Gordon's son through three coin tosses. As the result of the first two flips, he shoots Batman in the abdomen and spares himself. Before Dent can determine the boy's fate, Batman, who was wearing body armor, tackles him over the side of the building. Gordon's son is saved, but Dent and Batman fall to the ground below resulting in Dent's death.Knowing that the citizens of Gotham will lose hope and all morale if Dent's rampage becomes public news, Batman convinces Gordon to hold him responsible for the murders. Images are shown of Gordon delivering the eulogy at Dent's funeral and smashing the Bat-Signal. Police swarm the building, and Batman flees as Gordon and his son watch.


Mystery writer Andrew Klavan, writing in The Wall Street Journal, compared the extreme measures that Batman takes to fight crime with those U.S. President George W. Bush used in the War on Terror. Klavan claims that, "at some level" The Dark Knight is "a paean of praise to the fortitude and moral courage that has been shown by George W. Bush in this time of terror and war." Klavan supports this reading of the film by comparing Batman – like Bush, Klavan argues – "sometimes has to push the boundaries of civil rights to deal with an emergency, certain that he will re-establish those boundaries when the emergency is past."Klavan's article has received criticism on the Internet and in mainstream media outlets, such as in The New Republic's "The Plank."Reviewing the film in The Sunday Times, Cosmo Landesman reached the opposite conclusion to Klavan, arguing that The Dark Knight "offers up a lot of moralistic waffle about how we must hug a terrorist – okay, I exaggerate. At its heart, however, is a long and tedious discussion about how individuals and society must never abandon the rule of law in struggling against the forces of lawlessness. In fighting monsters, we must be careful not to become monsters – that sort of thing. The film champions the anti-war coalition's claim that, in having a war on terror, you create the conditions for more terror. We are shown that innocent people died because of Batman – and he falls for it".Benjamin Kerstein, writing in Azure, says that both Klavan and Landesman "have a point," because "The Dark Knight is a perfect mirror of the society which is watching it: a society so divided on the issues of terror and how to fight it that, for the first time in decades, an American mainstream no longer exists."

The Dark Knight garnered over 150 nominations from various critics and organization awards at year's end, winning for various aspects of the film. Most notable, however, was Heath Ledger's almost complete sweep of over twenty awards for acting, including the Screen Actors Guild Award for Best Supporting Actor, the Golden Globe Award for Best Supporting Actor - Motion Picture, and the BAFTA Award for Best Actor in a Supporting Role. The Dark Knight also received nominations from the Writers Guild of America (for Best Adapted Screenplay), the Producers Guild of America, and the Directors Guild of America, as well as a slew of other guild award nominations and wins. It was nominated for Best Film at the Critics Choice Awards and was named one of the top ten films of 2008 by the American Film Institute.

The Dark Knight was nominated for eight Academy Awards for the 81st Ceremony, breaking the previous record of seven held by Dick Tracy for the most nominations received by a film based on a comic book, comic strip, or graphic novel. The Dark Knight won two awards: B Supporting Actor for Heath Ledger and Best Sound Editing. It was additionally nominated for six others, these being Best Art Direction, Best Cinematography, Best Sound Mixing, Best Visual Effects, Best Makeup, and Best Film Editing. Christopher Nolan was notably snubbed[neutrality disputed] from a nomination in any of the categories he was up for (Best Picture, Best Director, and Best Adapted Screenplay), and controversy ensued[citation needed] regarding the lack of a Best Picture nomination for either The Dark Knight or WALL-E, two films noted for being both critical and commercial successes. Heath Ledger was the first posthumous winner of the Best Supporting Actor award, and only the second posthumous acting winner ever (Peter Finch posthumously won the Best Actor award for his performance in the 1976 film Network). In addition, Ledger's win marked the first win in any of the major Oscar categories (producing, directing, acting, or writing) for a superhero-based film. Notably, Richard King's win in the Sound Editing category blocked a complete awards sweep of the evening by the eventual Best Picture winner, Slumdog Millionaire.


۱۳۸۸ مهر ۱۲, یکشنبه

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24 : Redemption



The Godfather Part III

The Godfather Part III (1990) is the third and final film in the Godfather trilogy written by Mario Puzo and Francis Ford Coppola, and directed by Coppola. It completes the story of Michael Corleone, a Mafia godfather who tries to legitimize his criminal empire. The movie also weaves into its plot a fictionalized account of real-life events — the mysterious 1978 death of Pope John Paul I and the Papal banking scandal of 1981-1982 — and links them with each other and with the affairs of Michael Corleone. The film stars Al Pacino, Diane Keaton, Talia Shire, Andy Garcia, Eli Wallach, Joe Mantegna, George Hamilton, Bridget Fonda, and Sofia Coppola.




Plot

The movie begins in 1979, with a brief flashback establishing the long and tragic history of criminal activity within, and by, the Corleone family. Much has changed. Michael Corleone is now a defeated, depressed old man who feels tremendous guilt for indulging in his ruthless ambition many years ago. The thoughts of his children, and their future and happiness, is all he has to show for his ruthless ambition of his early years. His adopted brother Tom Hagen is now dead. The Corleone compound at Lake Tahoe is abandoned. His wife Kay has divorced him. And beset by his own depression and guilt, he had relinquished control of his children back to his rebellious wife, who spurned him long ago. Michael has returned to New York City, where he is self-consciously using his enormous wealth and power to restore his dignity and reputation in the eyes of the public. The violent criminal element of the Corleone family has been largely abandoned, ostracized by Michael himself as well as the hardened public, which no longer romanticizes the gangster lifestyle. In fact, Michael has embraced corporate America, which is now more tolerant of Michael's nihilism, where he is able to rebuild the Corleone family as a legitimate enterprise using the blood money from his free-wheeling gangster years. The aging thugs and sociopathic soldiers from Michael's past have either gone into the underground, or have been relegated to the background of Michael's life, serving as bodyguards for him and his family. Because his psyche and family remain largely damaged by his violent methods, Michael now struggles between repairing his fragile relationships while trying to contain the violent sociopaths that still fester in the shadows and ruins of his decaying criminal empire. In an attempt to seize upon the changing times, Michael creates a charity, the Vito Corleone Foundation, in memory of his father, and at a ceremony in St. Patrick’s Cathedral, he is presided over by Archbishop Gilday, where Michael is awarded the Order of St. Sebastian. Kay, who has remarried, sits with Michael's children, Anthony Corleone and Mary Corleone.
At the lavish party following the ceremony, Anthony tells his father that he is going his own way, dropping out of law school to pursue a career as an opera singer. Kay supports his choice, but Michael argues in private about Anthony’s future, wishing that his son would join the business or do something respectful, like being a lawyer. Suddenly, Vincent Mancini, Sonny Corleone’s illegitimate son, shows up at the party. He is embroiled in a feud with Joey Zasa, the Corleone family's mafioso muscle. What remains of the old Corleone criminal empire is now under Zasa's stewardship. However, the old Corleone neighborhood in New York is in ruins, and has become lawless. In a room away from the party, Vincent and Zasa tell Michael about their feud. The discussion grows violent, with Vincent accusing Zasa of being an out-of-control monster who mocks Michael behind his back. Michael makes it clear that he is not "a gangster" and that whatever bad blood exists between Vincent and Joey Zasa is none of his business, and must be settled between only them. So he asks the two men to make peace with one another. Feigning peace with Zasa, Vincent bites off part of Zasa’s ear after Zasa whispers "bastardo" in Vincent's ear. Zasa is escorted out and Michael scolds Vincent for his violent ways. But impressed by Vincent's passionate loyalty to protect him, Michael agrees to take his hot-headed nephew under his wing. The party concludes with a family picture where Michael asks Vincent to join the rest of the family.


That night, two men break into Vincent’s home, after Vincent has spent the night with an attractive journalist played by Bridget Fonda. Vincent kills one, frightening the other into revealing Zasa as the man who sent them. The scene closes with Vincent shooting the second man.

Later, in an attempt to garner tremendous respectability and wealth for the Corleone Family through legitimate enterprise, Michael seeks to buy the Vatican's shares in Immobiliare, an international real estate holding company, of which 25% is controlled by the Vatican. He negotiates the transfer of $600,000,000 to the Vatican Bank with Archbishop Gilday, who has plunged the Holy See into tremendous debt through his poor management and corrupt dealings as its president. While in Vatican City, however, Michael learns that several influential parties oppose the deal for many reasons, not the least of which is the extensive criminal history that has tarnished the Corleone name. Because of this and the failing health of the 81-year-old Pope, ratification of the deal would be far more complicated than he had anticipated.


Don Altobello, an elderly New York mafioso, tells Michael that his old New York partners want in on the Immobiliare deal. A meeting is arranged in Atlantic City, and Michael appeases most of the mafiosi with generous payoffs from their casino days. Zasa gets nothing. Furious, he declares that Michael is his enemy, and tells everyone in the room they must choose between him and Michael. Zasa storms out of the meeting. Don Altobello, the perpetual negotiator, runs after him to try and talk to him about this irrational move. Minutes later, a helicopter hovers outside the conference room and sprays a barrage of bullets through the ceiling windows. Almost everyone present is killed, but Michael, Vincent (acting as a human shield for his uncle), and Michael's bodyguard, Al Neri, all manage to escape. Back at his apartment in New York, as Michael considers how to respond to this hit, he suffers a diabetic stroke, and is hospitalized.

Though they are cousins, Vincent and Mary begin a romantic relationship. Unbeknownst to Michael, Vincent, with the urging of his aunt Connie, plots revenge against Joey Zasa. During a street fair similar to that seen in The Godfather Part II during which Don Fanucci is killed by Vito Corleone, Vincent and his accomplices kill Zasa's bodyguards, and Vincent shortly murders Zasa himself. Michael, still hospitalized, berates Vincent when he finds out, but Vincent insists that he got the go-ahead from Al Neri, who in turn insists that he got the go-ahead from Connie, who has become deeply involved in family affairs. Michael insists that Vincent end his relationship with Mary because Vincent’s involvement in the family puts Mary's life in jeopardy. Vincent agrees.

While in Sicily, Michael tells Vincent to speak with Don Altobello and, in order to see where the old man’s loyalties lie, to intimate to him his intentions of leaving the Corleone family, under the pretense that his affair with Mary is still in full swing, and that his loyalty to Michael has been supplanted by his desire to continue the relationship. Altobello supports the idea of Vincent switching his allegiance, and introduces him to Licio Lucchesi, the man behind the plot to prevent Michael’s acquisition of Immobiliare.

Michael visits Cardinal Lamberto, a well-intentioned and pious priest, to speak about the Immobiliare deal. Lamberto convinces Michael to make his first confession in thirty years; among other sins, Michael confesses to ordering the killing of his brother Fredo. It is an extremely emotional moment for Michael, and it troubles him deeply. He is told by Lamberto that it is "right that he should suffer," which Michael understands to mean that God will not forgive him, although Lamberto may have meant that he should suffer and repent, to be forgiven for his sins. Touring Sicily with Kay, who has arrived for Anthony’s operatic debut, Michael also asks for her forgiveness. As both admit that they still love each other, Michael receives word that Don Tommasino, his Sicilian friend and constant ally of the Corleone Family, has been killed, signaling that a new round of violence is about to begin. Cardinal Lamberto is elected Pope John Paul I, which means that the Immobiliare deal will likely be ratified, due to his intention to "clean up" the dealings of the Vatican. The new Pope's intentions come as a death knell to the plot against the ratification of the Immobiliare deal, prompting frantic attempts by the plotters to cover their own tracks.

The Godfather Part II

The Godfather Part II is a 1974 motion picture directed by Francis Ford Coppola from a script he co-wrote with Mario Puzo. The film is both a sequel and a prequel to The Godfather, chronicling the story of the Corleone family following the events of the first film while also depicting the rise to power of the young Vito Corleone, played by Robert De Niro.


It is ranked as the third best movie of all time by the Internet Movie Database, with the movie's predecessor, The Godfather, ranked as #1, and the American Film Institute lists it as #32.The Godfather Part II is considered by many as the greatest sequel of all-time, being nominated for 11 Academy Awards and winning 6, including the Best Picture Award (the only sequel except The Lord of the Rings: Return of the King in 2003 to do so) and the Best Supporting Actor Award. It is considered by some critics to be even better than the original.



Plot

The Godfather Part II presents two parallel storylines. One involves Mafia chief Michael Corleone during the Cold War, following the events of the first movie; the other is a series of flashbacks following his father, Vito Corleone, from his youth in Sicily (1901) to his founding of the Corleone family in New York City while still a young man (1917-1925).


The film begins in 1901, in the town of Corleone in Sicily, at the funeral procession for young Vito's father, Antonio Andolini, who has been murdered for an insult to the local Mafia chieftain, Don Ciccio. During the procession, Vito's older brother Paolo is also murdered because he swore revenge on the Don. Vito's mother then goes to Ciccio to beg him to let young Vito live. Upon his refusal, she holds a knife to his throat, sacrificing herself so that her son can escape, while Ciccio's men gun her down. They immediately scour the town for the boy, shouting their assurances to the sleeping townsfolk that they will regret harboring the boy. With the aid of a few of the townspeople, Vito finds his way by ship to New York. Upon arriving at Ellis Island, an immigration agent uses Vito's hometown of Corleone as his surname, registering him as "Vito Corleone".

The film then moves into the late 1950s, to a scene similar to the opening of the first film, where Michael Corleone, Godfather of the Corleone family, deals with various business and family problems during an elaborate party at his Lake Tahoe, Nevada compound celebrating his son's First Communion. He meets with Nevada Senator Pat Geary, who despises the Corleones, but has shown up at the celebration with his wife under the auspices of accepting a large endowment to the university from Michael in his son's name. During a tense negotiation, Senator Geary demands a grossly exaggerated price for a new gaming license and a monthly payment of 5% of the gross profits from all of the Corleone's Nevada gaming interests, to which Michael boldly responds with a counter-offer of "nothing".

Michael also deals with his sister Connie, who, although recently divorced, is planning to marry a man with no obvious means of support and of whom Michael obviously disapproves. He also talks with Johnny Ola, the right hand man of Jewish gangster Hyman Roth, who is supporting Michael's move into the gambling industry. Belatedly, Michael deals with Frank "Five Angels" Pentangeli, who took over Corleone caporegime Peter Clemenza's territory after his death, and now has problems with the Rosato Brothers, who are backed by Roth. After Michael's refusal to allow Pentangeli to kill the Rosatos, owing to his desire to prevent interruption of his business with Roth, Pentangeli leaves abruptly, after telling Michael "your father did business with Hyman Roth, your father respected Hyman Roth, but your father never trusted Hyman Roth."

Later that night, an assassination attempt is made on Michael, which he survives when his wife Kay notices the bedroom window drapes are inexplicably open. Afterwards, Michael tells Tom Hagen that the hit was made with the help of someone close, and that he must leave, entrusting all his power to Hagen to protect the family.

The action then switches to 1917, where the 25-year-old Vito Corleone works in a New York grocery store with his friend Genco Abbandando. The neighborhood is controlled by a member of the "The Black Hand," Don Fanucci, who extorts protection payments from local businesses. One night, Vito's neighbor Clemenza asks him to hide a stash of guns for him, and later, to repay the favor, takes him to a fancy apartment where they commit their first felony together, stealing an elegant rug.

The film flash-forwards to Michael's time. Michael meets with Hyman Roth in Florida and tells him that he believes Frank Pentangeli was responsible for the assassination attempt, and that Pentangeli will pay for it. Traveling to Brooklyn, Michael lets Pentangeli know that Roth was actually behind it, and that Michael has a plan to deal with Roth, but he needs Frankie to cooperate with the Rosato Brothers in order to put Roth off guard. When Pentangeli goes to meet with the Rosatos, he is told "Michael Corleone says hello," as he is garrotted; but the attempted murder is accidentally interrupted by a policeman. Pentangeli is left for dead, and his bodyguard, Willi Cicci, is wounded by gunfire.


In Nevada, Tom Hagen is called to a brothel run by his brother Fredo, where Senator Geary is implicated in the death of a prostitute. Tom offers to take care of the problem in return for "friendship" between the Senator and the Corleone family.

Meanwhile, Michael meets Roth in Havana, Cuba, in late 1958, at the time when dictator Fulgencio Batista is soliciting American investment, and communist guerrillas are trying to bring down the government. At a birthday party for Roth, Michael mentions that there is a possibility that the rebels might win, making their business dealings in Cuba problematic. The comment prompts Roth to remark, privately, that Michael has not delivered the two million dollars to firm their partnership.

Fredo, carrying the promised money, arrives in Havana and meets Michael. Michael mentions Hyman Roth and Johnny Ola to him, but Fredo says he has never met them. Michael confides to his brother that it was Roth who tried to kill him, and that he plans to try again. Michael assures Fredo that he has already made his move, and that "Hyman Roth will never see the New Year."

Instead of turning over the money to Roth, Michael asks him who gave the order to have Frank Pentangeli killed. Roth avoids the question, instead speaking angrily of the murder of his old friend, Moe Greene, which Michael had orchestrated (as depicted at the end of the first film), quipping, "I never asked who gave the order, because it had nothing to do with business!"

Michael has asked Fredo, who knows Havana well, to show Senator Geary and other important officials and businessmen a good time, during which Fredo pretends to not recognize Johnny Ola. Soon after, at a sex show, a drunk Fredo comments loudly that Johnny Ola told him about the place, contradicting what he told Michael twice earlier, that he didn't know Roth or Ola. Michael now realizes that the traitor is his own brother, and dispatches his bodyguard back to their hotel to deal with Roth.

There, Johnny Ola is strangled, but Roth, whose health is failing, is taken to a hospital, where Michael's bodyguard follows, but is shot by police while trying to smother Roth with a pillow. At Batista's New Year's Eve party, at the stroke of midnight, Michael grasps Fredo tightly by the head and kisses him: "I know it was you Fredo; you broke my heart." When guerrillas attack, the guests flee, and Fredo runs away from Michael, despite Michael's pleas that he is still his brother and that the only way out is with him.

Michael returns to Las Vegas, where Hagen tells him that Roth escaped Cuba after suffering a stroke and is recovering in Miami, that Michael's bodyguard is dead, and that Fredo is likely hiding in New York. Hagen also informs Michael that Kay had a miscarriage while he was away, which causes Michael to noticeably lose his usually calm and collected demeanor.

In 1917 New York, Don Fanucci of the Black Hand is now aware of the partnership between Vito, Clemenza and Sal Tessio, and wants a slice of the action in order to "wet his beak." Clemenza and Tessio agree to pay, but Vito is reluctant and asks his friends to leave everything in his hands to convince Fanucci to accept less money. Indeed, Vito manages to get Fanucci to take only one sixth of what he had demanded. Immediately afterwards, during the neighborhood festa, Vito murders Fanucci.

Don Michael returns to his compound in Lake Tahoe, where he wanders the house in silent contemplation. He sees Kay (who he has prevented from leaving the compound for her own safety) in the bedroom, but does not approach her. In Washington, D.C., a Senate committee, of which Senator Geary is a member, is conducting an investigation into the Corleone family. They question disaffected "soldier" Willi Cicci, but he cannot implicate Michael, because he never received any direct orders from him.

With Fanucci dead, Vito earns the respect of the neighborhood and begins to intercede in local disputes, operating out of the storefront of his Genco Pura Olive Oil Company (named after his friend Genco Abbandando).

When Michael appears before the committee, Senator Geary makes a big show of supporting Italian-Americans and then excuses himself from the proceedings. Michael makes a statement challenging the committee to produce a witness to corroborate the charges against him. The hearing ends with the Chairman promising a witness who will do exactly that.


Frank Pentangeli, who did not die in the attack by the Rosato Brothers, has made a deal with the FBI to testify against Michael, believing he was the one who organized the attempt on his life. Tom Hagen and Michael discuss the problem, observing that Roth's strategy to destroy Michael is well planned. Michael's brother Fredo has been found and persuaded to return to Nevada, and in a private meeting he explains to Michael his betrayal: upset about being passed over to head the family in favor of Michael, he wants respect and his due. He helped Roth, thinking there would be something in it for him, but he swears he didn't know they wanted to kill Michael. He also tells Michael that the Senate Committee's chief counsel belongs to Roth. Michael then tells Fredo: "You're nothing to me now. Not a brother, not a friend, nothing", and privately instructs Al Neri that nothing is to happen to Fredo while their mother is still alive, with the understanding that Fredo will be killed after her death.

At the hearing in which Pentangeli is to testify, Michael arrives accompanied by Pentangeli's brother Vincenzo (brought in from Italy), whose surprise presence causes Frank to recant his previous statements about Michael. When Pentangeli is pressed, he claims that he just told the FBI what they wanted to hear. With no witness to testify against Michael the committee adjourns, with Hagen, acting as Michael's lawyer, loudly demanding an apology.

At a hotel room afterwards, Kay tries to leave Michael and take their children with her. Michael at first tries to mollify her, but loses his temper and hits her violently when she reveals to him that her recent "miscarriage" was actually an abortion to avoid bringing another child into Michael's criminal family.

While visiting Sicily, Vito is introduced to the elderly Don Ciccio as the man who imports their olive oil to America, and who wants his blessing. When Ciccio asks Vito who his father was, Vito says, "His name was Antonio Andolini, and this is for you!", cutting the old man's stomach open with a knife, avenging the deaths of his father, mother, and brother.

When Carmella Corleone, Vito's widow and the mother of his children, dies, the whole Corleone family is reunited. Michael is still shunning Fredo, who is miserable, but relents when Connie implores him to. Michael and Fredo embrace, but at the same time Michael signals to his capo Al Neri that Fredo's protection from harm, in effect while their mother lived, has now expired.

Michael, Tom Hagen, Al Neri, and Rocco Lampone discuss their final dealings with Hyman Roth, who has been unsuccessfully seeking asylum from various countries, and was even refused entry to Israel as a returning Jew. Michael rejects Hagen's advice that the Corleone family's position is secure, and killing Roth and the Rosato brothers for revenge is an unnecessary risk. Later, Hagen pays a visit to Frank Pentangeli on a military base and suggests that he take his own life, in the manner of unsuccessful ancient Roman conspirators who, in return, were promised that their families would be taken care of after their suicide.

With the connivance of Connie, Kay visits her children, but cannot bear to leave them and stays too long. When Michael arrives, he coldly closes the door in her face.

The Godfather Part II reaches its climax in a montage of assassinations and death, reminiscent of the end of The Godfather. As he arrives at a U.S. airport to be taken into custody, Hyman Roth is killed by Rocco Lampone, disguised as a journalist, who is immediately shot dead in turn. On the military base, Frank Pentangeli is found dead in one of their bathtubs, having followed Hagen's instructions and committed suicide. Finally, Fredo is murdered by Al Neri while they are fishing on Lake Tahoe—just as Fredo finishes saying a Hail Mary to help catch a fish.

The penultimate scene takes place in 1941, as the Corleone family is preparing a surprise birthday party for Vito. Sonny introduces Carlo Rizzi, Connie's future husband and eventual betrayer of Sonny, to his family. They all talk about the recent attack on Pearl Harbor by the Japanese, and Michael shocks everybody by announcing that he has just enlisted in the United States Marines. Sonny angrily ridicules Michael's choice, while Tom Hagen mentions how his father has great expectations for Michael, and had made specific arrangements for his future. Fredo is the only one who supports his brother's decision. Sal Tessio comes in with the cake for the party, and when Vito arrives, all but Michael leave to greet him.

The final scene in the film is Michael sitting all alone in silent contemplation at Lake Tahoe, perhaps realizing that not only did he fail at avoiding becoming like his father, but he has in fact become an even more cold-hearted monster than Vito ever was.

Cast


Al Pacino as Don Michael Corleone
Robert Duvall as Tom Hagen
Diane Keaton as Kay Corleone
Robert De Niro as young Vito Corleone
John Cazale as Fredo Corleone
Talia Shire as Connie Corleone
Lee Strasberg as Hyman Roth
Michael V. Gazzo as Frankie Pentangeli
G.D. Spradlin as Senator Pat Geary
Richard Bright as Al Neri
Dominic Chianese as Johnny Ola
Bruno Kirby as young Peter Clemenza
James Caan as Sonny Corleone (cameo)
Giuseppe Sillato as Don Ciccio
Roman Coppola as Young Santino Corleone
John Megna as Young Hyman Roth
Julian Voloshin as Sam Roth
Larry Guardino as Vito's Uncle



Belle De Jour

Belle de jour is a 1967 French film starring Catherine Deneuve as a woman who decides to spend her days as a prostitute while her husband is at work. The title is the French name of the daylily (literally: "daylight beauty"), a flower that blooms only during the day, but also refers to a prostitute whose trade is conducted in daytime. The film was directed by the Spanish director Luis Buñuel, based on the 1928 novel of the same name by Joseph Kessel.


Plot

Séverine Serizy is a young, beautiful housewife who has masochistic daydream fantasies about elaborate floggings and bondage. She is married to a doctor (Jean Sorel) and loves him, but cannot share physical intimacy with him. A male friend, Monsieur Husson, (Michel Piccoli) mentions a high-class brothel to Séverine, also confessing his desire for her, and she secretly manages to work at the brothel during the afternoon (using the pseudonym Belle de jour). The brothel is run by Madame Anaïs, (Geneviève Page). Séverine will only work from two to five o'clock each day, returning to her blissfully unaware husband in the evening, but she attends only intermittently.

As the film progresses, Séverine becomes entangled with Marcel, a young gangster, who offers her the thrills and excitement contained in her fantasies. The situation becomes more complicated when Séverine decides to leave the brothel, with Madame Anaïs' agreement, after finding Marcel has become too demanding, and jealous of her husband. Husson has also discovered her secret as a potential, though unwilling, client. One of the gangster's associates tracks Séverine to her home address. Marcel visits her, and threatens to reveal her hidden identity, but Séverine persuades him to leave.
He waits outside for her husband to return home and shoots him three times before escaping and eventually being shot by the police. Séverine's husband survives the event, but is left in a coma. The police are unable to find a motive for the attempted murder of Séverine's husband, but after he leaves hospital, now blind and in a wheelchair, Husson visits him and may have told him the truth.
The film ends with Séverine escaping into fantasy once more; this time, however, there are no sexual undertones. Her husband is healthy again and they kiss before looking out the window on to the opening scene of the film.










Awards


The film won the Golden Lion at the Venice Film Festival in 1967.

Cast

Catherine Deneuve as Séverine Serizy, alias Belle de Jour

Jean Sorel as Pierre Serizy
Michel Piccoli as Henri Husson
Geneviève Page as Madame Anaïs
Pierre Clémenti as Marcel
Georges Marchal as Duke
Françoise Fabian as Charlotte
Macha Méril as Renée
Marguerite Muni as Pallas
Maria Latour as Mathilde